Modern Shapes is pleased to present Juan Orti
OPENING September 13 in presence of the artist
from 17:00 to 22:00
with drinks & food
EXHIBITION from September 13 till October 14
Friday - Saturday - Sunday
From 13:00 to 18:00
MODERN SHAPES GALLERY
How architecture feeds the imagination of art. Despite the fundamental functions that architecture must perform, the best examples continue to inspire artists across all genres with their masterful use of space, harmony and proportion. Modern Shapes Gallery presents architectural ceramic art by the Spanish master sculptor Enric Mestre.
Juan Ortí is based in Valencia, Spain. He sculpts interpretations of geometric architectural forms seen frequently in everyday life. The photographs of his art are deceptive, with close making them look like massive buildings. The visual information in his work is beautifully reduced, bringing an elegance to the typically soulless, stark industrial forms.
He uses the wheel as a machining tool to produce parts to be assembled. This process creates a cold feeling to the objects but by reducing the amount of visual information he focuses the viewer on just a few small but profound details. The texture of the objects is dry and soft, catching dramatic lighting perfectly and giving the table-size sculptures the illusion of building-size scale. Ortí does not completely eliminate the process marks, but leaves the subtle tooling from the rotating process, details that remind the viewer of the origins and actual scale of their experience – a reality check.
The raw fired clay is typically greyscale, referencing metallic industrial architecture like silos, tanks, and factories. Because of the theme, his work immediately conjures melancholy feelings of overbearing urban life and industrialization. However, their simple forms and relative scale make the work also related to children’s building blocks. Ortí plays with basic composition, experimenting with fun scenarios, even supporting the heavy cylinders on humorously small blocks in his piece Hover. The overall mood of Ortí’s sculptures does not project a specific attitude towards industry, positive or negative, but rather they are experimental interpretations, meditations on modern everyday life.